Coronation Street Scene of the Week (Sept. 2/12)

Coronation Street Scene of the Week (Sept. 2/12)

Eve at an eat as much as you like buffet

Roy and Hayley as motorhome returnsSoap operas are about emotions, relationships and the vicissitudes of human interaction. So there are many powerful scenes that involve love and loss. As a viewer, you expect to be moved. Of course not every episode, all the time. But some episodes are as full as “Eve at an eat as much as you like buffet,” to borrow from Mary Taylor this week. One of her best lines ever. This week the buffet was laden.

Tuesday and Wednesday had some of the most moving and thought-provoking scenes that have been on recently. And I think, on balance, the past months have been excellent with many good and emotionally gripping stories. But the tales told by four characters this week was extraordinary. Mary, Roy, Hayley and Norris.

Mary and Roy

Tuesday I thought I had my scene when Mary realized that no subterfuge was going to keep Roy in her motorhome overnight. When she realized that all he wanted was to be with Hayley after her dance competition. And was even willing to walk out of the encores for the Elgar performance. Like Anna, we knew what she was trying to do with her chess games and invitations to concerts and maybe booking hotel rooms, maybe not.

Mary and Roy going to motorhome - eve at a buffet

But Roy talked so clearly and feelingly about why it was important he be there for Hayley that Mary folded her tent, so to speak, and gave up her assault on him. Nothing can top that, I thought.

Hayley and Mary

Then Hayley, realizing that her suspicions about Mary’s intentions are justified, goes to confront her. Another absolutely beautiful piece of theatre – the two of them in the motorhome, Mary talking about her feelings of invisibility, her longing for someone to think about her as Roy does about Hayley. Hayley’s delight in hearing what she means to Roy from someone else. Nothing could top it. And I don’t know if anything did, but two more scenes on Wednesday matched it.

Mary telling Hayley her feelings for RoyMary and Norris

Mary, tired of losing at love in Weatherfield, decides to leave and tells Norris. Norris, who likes her despite himself and despite her actions, clearly not wanting her to leave but not able to tell her. Mary clearly waiting only for a word, a syllable, a pause at the right moment – anything to show her that he wants her to stay. But he doesn’t give it.

Mary telling Norris she is leaving Weatherfield - eve at a buffet

Hayley hears that Mary is leaving and knows it’s because of their talk. Again she goes to the motorhome. The two of them in the front seats, drinking coffee or something. Talking about emotions, life and love and relationships. They forge a friendship and quietly do wonders for each other’s self-esteem.

Emotions and misfits

Hayley wanting to talk to MaryAll four of these people are misfits. They have quirks, old-fashioned standards, all are laughed at by many in the street. All have been, or are, desperately lonely. It hasn’t been easy for any of them.

Norris with his dreadful ex-wife the late unlamented Roy explains his love for Hayley to MaryAngela. Roy with Aspergers or whatever it is. Hayley having started life as Harold. And Mary with her Mary telling Hayley about feeling invisiblemother and the burden of being Mary.

Yet all of them this week had so much to say about loneliness, love and the human condition. The acuity of their observations about themselves and each other spoke to the heart of the need for human contact. And it was polite and with restraint, befitting the personalities of the characters.

Mary tells Norris why they returned early - eve at a buffet

It is too bad for Steve and Tracy’s new domestic mess that it played out in between these other scenes. Without the counterpoint of the Roy-Mary story, they would have been fine. But as it was, for me, they were the bread sticks on the buffet table.


This Post Has 3 Comments

  1. Beautifully put. I hope they do more of this stuff. I love the less mainstream characters and the depth of character and expression they provide.

    1. Hi Carrie, thanks (and thanks to Jim too!). Yes, I don’t know if it’s their acting ability or the less “soap opera-ish” stories they are given, or just the foibles of the characters as they were created, but these actors/characters can shine unlike any others. It’s good seeing them given real stuff instead of the filler fodder they sometimes get.

  2. Great stuff! Especially the paragraph “All four of these people are misfits….”

Leave a Reply