Coronation Street Scene of the Week (Feb. 24/13)


how-longForgive me for reminding you of this song, Mother-in-Law (click to hear). But it popped into my head while Gail was pleading with Nick to take her in. She was homeless, she said. She was his mother, she said.

gail pleading for space until I've saved up enoughThroughout her speech, Gail never once looked at Leanne, Nick’s wife, standing right there beside him. Leanne, however, was looking at her and looking daggers at Nick when he caved in. Next came my pick for best scene of the week .

More accurately I guess, it’s sound of the week. The scene Nick-looks-to-kitchenwe can only imagine since it took place off-screen. When Nick told Gail she could move in, Leanne looked at Nick in horror then flung herself through the door to the kitchen. The sound of crashing glass and crockery followed. I don’t think it was just dishes and glasses falling, I think they were being thrown across the room.

Newlyweds plus

I don’t blame her. Gail has not even been civil to her before or since Leanne and Nick’s wedding. They are still newlyweds, adjusting to living together and making a family life with Simon. Their relationship was far from easy before the wedding(s) and they need time to sort themselves out.

Leanne-laughsWe’ve never seen Nick’s flat so we don’t know how large it is. But he rented it for himself only so I doubt it’s more than adequate for the three already in it. And then the mother-in-law expects to move in. Not because she truly has nowhere else to go, only because she is angry at her other son and his wife.

Gail has reason to be angry. David and Kylie are not-a-mother-on-earthacting abominably to her. Whether or not they buy the house, it has been Gail’s house for all of David’s life. Adjustments in living arrangements need time and discussion by all three adults. But there’s the rub:  David and Kylie are not adults. Despite lurches into apparent maturity, they still are just playing at adulthood.

If I’m a lodger…

holed-up-in-the-box-roomThat was underscored in Friday’s episode when Gail lets them know that if she is being treated as a lodger, she will act like one. No, she’s no longer taking Max to school, no, she won’t iron David and Kylie’s shirts but she will leave her ironing board up and let them use her iron until they buy their own. Kylie be-doing-thisand David both are astounded and furious. After all she’s always done all the work – she’s mum and grandmum. No, she says, you say I’m a lodger.

She is taking the fight to them, something she should have done at the beginning instead of running to Nick, crying to him to bail her out.

take-it-off-my-rentAt least events of the week have answered the question of how many bedrooms there are upstairs. But two and a “box room” still doesn’t really explain how Gail has had so many of her children and their lovers and children living there all at the same time.

Coronation Street Scene of the Week (Feb. 17/13)

Pay Off

Amount of money needed to pay off debt: £9,000. Vengeance exacted while getting that money: priceless.

what goes around - lewis about pay offI still don’t think Lewis is justified in his outrage at Gail for testing his loyalty to her mother, and certainly not at Audrey for going along with it when she found out. It makes me think that his professed love for her and change in character isn’t so profound. The test, after all, was specifically related to his long-term vocation and avocation, ripping off women like Audrey. Had he been truly changed by his love for Audrey, he would have accepted that they had cause for doubt regardless of the humiliation caused to him.

However, he is a man with pride and an astounding ability to hold a grudge. While that has been bad for Audrey and now Gail, it’s been great for us as viewers.

Italian for Lovers

platt-family-viewing pay off videoGail assembles the family to tell them she and Lewis are moving to Italy.  Lewis texts her: start without me. He texts Nick: put the Italian for Lovers dvd in. It’s a lesson of a different sort.

Lewis is behind the bar at the Bistro, mixing himself a cocktail and telling Gail what he has done and why. He cleaned out her bank account because she had cost him his relationship with Audrey. lewis pay off you-made-it-easyHe tells Audrey that he truly loved her. But thanks to Gail, he was back to his former self and wanted revenge. And that, he said, is best served like a Bellini in a chilled glass – cold.

I knew the dénouement of Lewis’ scam would be good but it was better than I imagined. I ciaoactually felt sorry for poor Gail by the end. And I was happy to see Audrey vindicated. An added treat was Lewis’ message to weasel-of-a-husbandKylie: that she “could do a good deal better than that weasel of a husband”. In his words to Nick, that he too deserved happiness, there was a coded message to him and Kylie. The others in the room wouldn’t get it, but probably Kylie did in that she knew that Lewis knew about her night with Nick.

Kylie feels guilty about having given Gail’s banking password to Lewis. But he would have found it sooner or later. Back at the Bistro, she told Nick what she had done. I’m glad she did; a burden shared is a burden lightened and, after all, he can’t afford to rat her out to Gail.

Lewis, followed by Sylvia

treasure-islandWhat can possibly follow such a splendid scene? Why, Sylvia and Roy. Nicely timed, too, with Hayley and Roy looking at Sylvia’s steamer trunk for a few seconds. Very little dialogue to be missed while audiences are still exulting over Lewis’ tour de force. Then Roy talks about the trunk, familiar to him from his childhood. He used to hide in it during his birthday parties.

milton-sent-itSylvia hears him as she enters the room.  “I lifted the lid and there he was, playing with his little Dinkies. Well, lining them up in straight rows actually.” It is wonderful to have her back.

make-my-telephone-callWhat would make me really happy would be for Lewis to return and be in a story with Sylvia. I don’t know what the storyline might be but I think they could have the two of them sit in the café and read the telephone book and that would be a pay off of a different sort.

Coronation Street Scene of the Week (Feb. 10/13)

Open to Persuasion

A Joan Armatrading song mentioned by Jenna this week applies to three characters in two different storylines: “I’m not in love but I’m open to persuasion.” Jenna and Lloyd in one, Kirsty and Tyrone in the other. Four actors, two great scenes.

beat-a-confession-outKirsty and Tyrone talk after she returns to Number 9 from the wedding that didn’t happen. Tyrone desperately tries to smooth things over so that she will stay or agree to let him keep Ruby. Kirsty isn’t buying any of it. She is angry but also hurt. She wants to tell him how it is going to be, but she also wants to explain herself to him. It is both a huge fight and a cathartic opening up of her history and emotions.

For the first time that I can recall, she gives details about her dad kirsty talks about childhoodhitting her and her mother covering it up. When a child, she had asked her father if they could have a dog and a broken collarbone was her answer. At the hospital, her mother told the doctor she had fallen off her bicycle: “kids, eh!” she laughed.

Tyrone listens to Kirsty without interrupting. It seems he, like me, is visualizing the little girl hurt by one parent and betrayed by the other. All because she wanted a dog.  Tyrone is a dog person and I wonder if, like me, he’s thinking thank heavens they didn’t get one to be yet another victim for daddy.

top-of-stairsBut Tyrone returns to his immediate concern – who will have Ruby. Kirsty, daddy’s girl after all, raises her fists to him as she tells him Ruby will be with her.

Paul-with-Kirsty-bottom-of-stairsThey push past each other to get upstairs to the baby. At the top of the stairs, Tyrone ducks a punch from Kirsty. She keeps on going, all the way to the bottom. High drama resumes.

Jenna’s persuasion

Lloyd arranging an opportunity for a heart-to-heart with Jenna breaks the ‘high drama’ be-anything-moreof Sally carping at Jenna about taking advantage of her innocent little Sophie. As they decide what kind of take-out they want, he gently presses her about whether she has romantic feelings for Sophie or women in general.

Jenna doesn’t answer directly but we and Lloyd accept her words as a yes. And no, she never felt she could tell her mother or especially her father. Lloyd questions this, saying her father was an open-minded man. She says that her dad never again never-played-it-again jenna open to persuasionplayed one of his favourite songs after he heard that the singer was gay.

It was nice to see Jenna relax and open up. I have liked her character but she always seems to be buttoned up with so much tension held in her neck and shoulders that she could benefit from physiotherapy herself. Admittedly, she’s had reason to be tense with finding out her late father wasn’t really her dad and he knew it. That Lloyd is her biological dad and now is back with her mother. On remember-that-songtop of that, Sophie, a teenager, has been throwing herself at her, as did Sophie’s dad. And she doesn’t want to out herself.

not-marrying-me-becauseSo Jenna might persuade herself to love Sophie. Tyrone tried to persuade Kirsty he was in love with her and Kirsty desperately wants to believe she is loved.

Hampton Court House

Hampton Court House 5-Feb-2013 D StewartThe 140-year-old Court House in Hampton, New Brunswick has heard its last case. Court cases for Kings County will now be heard in Saint John. The town knows a new purpose for the building must be found, something befitting its beauty and its position as centrepiece in the town. But.

They already have a museum and library. The building needs extensive refits and, of course, public money is in short supply. Please, Hampton, don’t let this magnificent structure and its grounds become derelict.

There are too many beautiful old buildings left to moulder beyond the point of any reasonable possibility of renovation or maintenance. Such buildings are markers of our heritage. When we lose them, we lose our collective history.

Castle Manor, Moncton Moncton recently, I saw Castle Manor for the first time. The huge stone building with good-sized grounds looks pretty bedraggled. Plywood covers all the ground-floor windows.

Originally built by the Roman Catholic Church in the early 1900s as a seniors’ residence, it has also been a school and orphanage. Vacant, it was bought in 2012 by a local builder. He says vandalism has been a problem. He didn’t say what his plans are, but it sounds like he values its historical and architectural significance to the city. I hope he can do something beautiful with it before its story ends sadly.

Compare to Alma College

Coming from St. Thomas, Ontario, I know that architecture, and the recognition of its value, can be defeated by real and bureaucratic vandalism. Alma College was the pride of St. Alma-College-discover-southern-ontario.comThomas. Built in 1878, it was a private girls’ school from 1881 to 1988. It then passed through several hands and, like Castle Manor, became pretty sad looking. Windows were boarded up after the glass had been broken. People slept in the building and used it as a hangout.

It had provincial status as a historic building but status and a plaque cannot protect against the predation of weather, time and vandals. It deteriorated to the point that rehabilitation may have been impossible, no matter how much money was available. Battles about whether to restore or demolish went on for years. Then somebody torched it.

Alma-College-Fire-Credit-Robert-Chaulk,-Sun-Media-Corp-heritagecanadaMay 28th 2008, smoke could be seen all over the city. I drove toward it.  Alma College in flames. Pretty much every firefighter and piece of firefighting equipment in the city was there, huge crowds gathered on all sides to watch and cry and pray. But it was too late. All that’s left are the outdoor amphitheatre and the music building.

Please do not let this happen to the Hampton Court House. The building, still usable now, has given grandeur to downtown Hampton for well over a century.

Main-Street Hampton court house 5-Feb-2013 photo d stewartI am sorry that it will no longer be an active court. I will miss the reportage from it in the Sussex Kings County Record. Every week there is at least one full page of proceedings. Shoplifting, drunk driving, assault – lengthy and detailed accounts that give a wonderful window into society and jurisprudence in this area.

Coronation Street Scene of the Week (Feb. 3/13)


kirsty-in-dressMy husband’s guess was that Kirsty would show up at her wedding with a hidden gun. After seeing her wedding dress, I asked where would she hide it? I never thought about her bouquet as a hiding spot, and neither of us thought Tyrone’s secret cell phone would be what she hid in it.

Very clever is our Kirsty. By reciting off some of Tyrone’s texts to Fiz, it’s Tyrone who looks bad here, not bat-crazy Kirsty. It was an absolutely insane plan that Fiz came up with, made even more insane by Tyrone’s planned execution of it.

cell phone in kirsty's handFiz consulted a lawyer who told her Tyrone could establish parental rights by marrying the child’s mother. But I feel there must have been a “however” in there that she missed.

Legal Opinions

Indeed, some UK lawyers have given their opinions online: there are kirsty on phone in churchother ways he could gain parental responsibility. These options, and DNA testing, were mentioned in passing earlier in the story but haven’t been dealt with in a satisfactory fashion for most fans.

I could find nothing to show whether Tyrone’s plan to depart straight from his own wedding reception with the baby and Fiz would be kirsty and tyrone at altarlegally tenable for him to claim custody. But it makes no common sense to me. He would have not established even a legally binding marital relationship with Kirsty.

So, in following the real-life logic of this plotline, there are huge holes. But it has been riveting due to the domestic abuse story content and the acting by both principals. When the cell phone was kirsty reacts to textsfound in the couch and Kirsty realized what it was, it was impossible to not feel sorry for her as her dreams crashed around her. Even though we feared what she would do next, the emotional devastation she felt was so real.

Natalie Gumede has successfully conveyed a woman on the edge; trying to control the violence in herself that she hates so much, hoping that she can change her behaviour, hoping that they can truly be the happy family textthat she has wanted for so long. Then seeing the texts laying out the whole of Tyrone’s betrayal of the dream and what had appeared to be the reality. And betraying her and the life she and Tyrone had with the woman Kirsty for so long has seen as a threat. Despite knowing that Tyrone has good reason for what he’s doing, my heart still ached for Kirsty.