Last week, we were left hanging with Ken. Was he alive or dead? Alive, barely, in hospital. Whew! Peter was still around. But Tracy found out he and Ken had been arguing just before the stroke. That was it – Peter, get out. Then she, Amy and Simon appear by Ken’s bedside. She tells him that they are there for him, always and ever more. Yikes! I half expected Ken to grab his pillow and smother himself.
But Ken and the Barlow clan were quickly overshadowed by David Platt’s car. First, Kevin welding right beside it. He had not noticed the cans of gasoline in the back. It’s a hatchback, it’s not like they were hidden from view. Sparks fly and Kevin says how happy he is that Anna is moving in with him. Words of Doom.
David escapes from the Bistro cellar and carries on with his plan to blow himself, Clayton and the courthouse sky-high. But his old clunker won’t start. All the Platts and others circle the car, screaming at David to stop.
Lily escapes from babysitter Fiz’s back yard. She heads to the street, just of course as the car starts. David’s got his foot to the floor and the car takes off – straight toward Lily. Gary grabs her, car flips, gas doesn’t immediately explode. David crawls out, Gary and Lily are trapped underneath.
I wanted to savour each of these storylines. In the car scenes, I wondered about Ken. Then with Ken, I wondered about the crash. Stepping outside the story, I wondered if these were special episodes marking some anniversary that I didn’t know about. Because that’s what Monday, Tuesday and Wednesday felt like. A really big shew, as Ed Sullivan would say.
Usually in Coronation Street, music plays in the scene to which it belongs. The juke box in the pub or a radio on in a house. Music overlaying other scenes is an unrealism they usually do not do. But at the end of Wednesday’s episode, I liked “All We Do” continuing from the pub through the final shots. We saw the state of the central characters, and the music helped assimilate the whole.