Tag Archives: Coronation Street CBC

Corrie Street 27 Dec. 2020

Hens’ Revenge

The stars of the 60th anniversary episodes for me were Yasmeen’s hens. Especially the overhead shot of them pecking around Geoff laying splat out on the ground. They were alive and he was not: proper hens’ revenge for everything he had done to them and Yasmeen, and threatened to do.

I was horrified to hear Yasmeen testify that Geoff had cooked her favourite hen and served her up for dinner. Lock him up! Back on the street after she had been released from prison, he taunted Yasmeen by threatening the life of hen Emily. He’d barbecue her, he said. Lock him up!

Geoff gave Yasmeen one hour to go to her house and collect her stuff. When there, she went to the back yard to say hello to the chickens. But when she left them, she didn’t latch their coop door properly.

Yes, the whole time that she was in the house was dramatic. The power went out so she was in the dark, alone with no one knowing where she was. Would she manage to get her photos and whatever and get back out safely? Would Geoff sneak in and hurt her. But mainly, for me, would the hens stray and get hurt?

But they didn’t. Emily came into the house. Yasmeen saw her. She must have twigged that was odd, and therefore the coop must be open. But I guess she was distracted by the imminent danger posed by Geoff. By her not immediately going out and putting Emily back in and latching the coop, the chickens had freedom to go around the back yard. And witness Geoff’s demise.

Character or Plot

Plot-driven or character-driven? Chickens would simply stay on their roost and sleep after dark, open coop door or not. So plot-driven. But an upset in their routine, like someone opening the coop after they’ve gone to bed, can cause them to get up and see what’s going on. So it’s in character that they might wander out to look around. Or get up to check out the situation when someone thumps down on the ground right beside them.

Last mention of the hens was Sally saying she’d see to them. Sally? Wow, she and Yasmeen must have patched up their differences!

A visit home

It’s been two and a half years since I watched an entire week of Coronation Street. It was nice to see familiar faces and places. See new people, see changes made in living quarters. Catching up on stories, many of which hit their dramatic high point. Yasmeen and the story of Geoff’s abuse, of course. But also others involving individuals and the street itself.

The bulldozer threatening the buildings and the people in front of it. Ken’s Tiananmen moment, stopping the bulldozer by talking about his 81 years on the street and all the history in those cobbles. Abi, in a style reminiscent of Becky, taking over a digger and smashing everything it could reach (hence the power outage). Mary bringing her vuvuzela to the protest! Roy’s research abilities finding legal room to manoeuvre by getting the old brewery listed as a historic property. Rita giving developer Ray Crosby a dressing down about the Kabin and her years behind its counter – long before him and long after as well, laddie.

Yes, nice to see old friends and visit familiar places. And I looked for my own high point – my scene of the week – in their dramatic moments. But, at the end, I had to go back to what had made me catch my breath and think ‘oh-no’. And that was the Nazir hens. Maybe I’ll come back sometime to check on them. When, I don’t know.

Corrie Street 17 June 2018

Three Reasons

Three reasons on Monday to leave Coronation Street. Three scenes that too quickly reminded me too much of other types of television shows. So I made a decision that I’ve been thinking about for several months. I stopped watching. I did not watch the rest of the week’s episodes. It feels ok so far, so that’s it. I’m done. You can read more about my overall reasons here.

Crime Drama

reasons to leave - pat-looms-behind-gary-and-sarahA villain returns from the presumed dead. He’s caught, but people underestimate him. They dawdle and don’t pay attention. And surprise, he’s got himself loose and has a gun. Oh no, however will we get out of this alive! It can work – in a crime thriller. If if goes too far, with too many miraculous escapes and close calls, it becomes melodrama. That’s where this has gone.

Soap Opera

robert-leaving-in-vanSomeone sees something and misconstrues it. But that person doesn’t stay to listen to what else is said and therefore get the whole story. Neither does he (Robert) confront, or just ask, anyone about what he overheard. Instead, he goes off in a huff. At a critical juncture. All avoidable if you’d just ask what’s going on. Overused device even in American soaps.

Sitcom

rosie-gemma-and-modelPretty but ditzy women decide to be supersleuths. If they put their heads together, they decide, they can outsmart the bad guy. Hilarity ensues. Because, if they put their heads together, what they got is one big head of good hair. In romance and some mystery novels, this kind of heroine is described as “perky” and/or “sassy.” I don’t read books that use either of those adjectives.

So I’m sorry to say, dear readers, this is the final Scene of the Week. Please feel free to talk amongst yourselves here. I’d love to know what you think. Maybe you can tell me when it’s safe to return.

Corrie Street 10 June 2018

Stag

Robert’s stag do in Wednesday’s episode. Less than a handful of guys who don’t know Robert all that well gathered in the Rovers in mid-afternoon. On its own, a bit lame, even seeming a bit shoehorned in. But in costume? That was the straw that broke the camel’s back.five stag guys

There was a warning signal just before. Ryan told Steve – there’s a theme, come as a pop star. A heads up for the audience too. It might be good, some of them have been, I told myself. But events involving themed fancy dress have become somewhat of a Corrie trope.

The highlight, I suppose, was Michelle’s warring sons each coming as an Oasis Gallagher brother, in identical costumes. Totally coincidentally, according to Ali and Ryan when they saw the other. Oh sure, makes sense to independently choose to dress up as one of an always-linked warring duo.connor-brothers-as-gallagher

I restrained myself from turning off the television. Watch the rest of the episode, I told myself, can’t be too hasty.

Next episode, the hen party arrived. They too were in themed costumes. I’m not sure what the theme was, or what the costumes were for that matter. Michelle or Carla said, but I missed it. I was too busy trying to figure out their costumes. And I couldn’t muster the enthusiasm to rewind and watch again. Maybe it was Robert?

jenny-dressed-as-robertI did catch Jenny telling Robert that his suit looked better on her. His suit? It fit her perfectly, and she’s half the size of him. What’d she do, stop at Underworld and recut and resew it?

Another need to restrain myself. Watch to the end of the episode. Watch to the end of the week. See how you feel. So I did, and felt the same way. Coronation Street has become too crazy. Watching is too much work.

Where’s Aiden?

Meanwhile, poor Aiden still isn’t buried! His funeral hasn’t even been discussed. I’ve lost track of how many episodes now equal one steve-as-boy-georgeWeatherfield day but it has to have been long enough to have him cleared for burial. He was mentioned a few times. Good thing too because I’d actually forgotten all about him. It feels like ages ago that he killed himself. It’s only been two weeks.

Corrie Street 3 June 2018

Royal Weddings

rita-and-liz-and-gemma-in-kabin - royal weddings talkThe chat in the Kabin on Wednesday about royal weddings and coronations. Liz and Rita remembering, Gemma trying desperately to remember her history lessons in school. Very funny.

Liz and Rita explained to Gemma that Coronation rita-remembers-1953-coronationStreet was renamed in 1902 for the coronation of Edward VII. Rita told Gemma that television existed in 1953 so they could watch Queen Elizabeth II’s coronation. She heaved a sigh of exasperation at Gemma’s explanation for not knowing that because she didn’t know anything about “Victorian times”.

charles-and-diana-weddingRita and Liz reminisced about the other big Royal wedding they watched years back. That of Charles and Diana. Gemma was straining, trying to keep track of the who’s who. She and Rita both looked flummoxed when Liz proudly said she credited Diana’s example for developing her own fashion sense.

I had hoped they would not ignore the wedding of Harry and Meghan. They had done such a good job commemorating William gemma and rita-react-to-liz-on-fashion-influenceand Kate’s. It worked in nicely with other storylines at the time, about reasons for marriage. The nod to Harry and Meghan’s wedding was more a small interlude between ongoing stories.

And the good Lord knows we needed it! At least I did. All the pots were on full boil this week.

Week’s events

We’ve got the Connors still dealing with Aiden’s suicide. Early in the week, Johnny lashing out at Jenny then trying to make sense of what happened – perfect. Gut-wrenching and thought-provoking. And then it got crowded out by too much else.

  • Summer and Billy’s PSA-type campaign fund-raiser for a “Speak and Save” hotline for men. (In their royals chat, Gemma mentions “the interview,” about Heads Together presumably)
  • Kate, wanting to get wasted with friends, and ending up with a guy attacking them. Then in the course of saving Kate and Rana from him, Zeedan nearly killed the guy. Now they’re trying to hide their involvement.
  • Eileen came back, so Pat Phelan is lurking around too.
  • Abi started work at the garage, so heroin addiction is likely to return somehow. So too is a jealous Fiz.
  • The threat of Ryan, Michelle’s non-bio-son, returning for her wedding. NO!!!!
  • At the week’s end, it looks like Robert is having a heart attack.

This makes a three ring circus look like watching paint dry. And we haven’t even buried poor Aiden yet.

Friday, Alya to Zeedan: “It’s big, it’s gonna take time.” Words of wisdom for the writers here. Just throwing all the spaghetti at the wall at once doesn’t allow time to savour and digest each strand.

rita-says-diana-so-elegantAfter watching it, I expected I’d choose Johnny’s outburst at Jenny as my scene. But at end of the week, all that still stood out for me was Liz, Rita and Gemma talking about royal weddings.

Corrie Street 27 May 2018

After a suicide

Tuesday’s episode – that’s my pick of the week. People on the street are trying to wrap their heads around Aiden’s suicide. So there’s the johnny's hands on body bag - after suicidestory of the suicide and the intersection of it with other stories. My only criticism is that its story arc is more like a spike. Johnny and all can’t be the only ones wondering when and why Aiden decided to kill himself. Still, despite the ‘huh?’ element in the storytelling, it is done brilliantly.

Gail’s Monologue

gail-looks-out-at-streetGail looks out her front window and says to her mother, “Forty-odd years I’ve lived on this street…” She continues to speak, but we see other people, other houses. People reacting to the news that Aiden has killed himself. “Oh no, American soap trick again,” I thought. But it quickly drew me in.

maria-prepares-to-tell-liamHer words were powerful. Wondering what exactly you were doing when someone else was going through the worst crisis imaginable. Thinking your problems are the worst in the world, only to find out someone else’s were far worse.

Listening to Gail while watching the faces of others as they tried to absorb what they were hearing. The factory. Maria telling Liam. You gail-says-aiden-not-coming-homedidn’t need to hear – you knew what they were saying. It’s what you’d say yourself. So very effective dramatically. Also time-effective in terms of storytelling. It conveyed an important message in Gail’s words and showed all those who were feeling what she was saying.

Pub Postmortem

table-full-in-rovers discuss suicideEveryone gathered, like you would, in the neighbourhood pub. They hashed out their thoughts on suicide. Tragic? Selfish? Who is hurt the most by it? Could it have been prevented? All the thoughts that we all have, if we’ve been touched by suicide or not. Important sentiments to have voiced.

“I don’t half love you”

johnny-looks-at-aiden-in-body-bagThe morgue attendants taking Aiden out, covered completely in a body bag. Johnny asks them to stop for a minute. He touches his hands to where his son’s face is, inside the bag. “I don’t half love you,” he tells him. I lost it then. Twenty minutes of pent-up emotion spilled out in my tears for Johnny. For Aiden. For everyone so deeply affected by this action.

“I was raped”

David heard about Aiden as he is leaving for court and possibly david-tells-shona-about-rapeprison for his attack on Gary Windass. He takes off. Shona finds him. Finally the words he needs to say come out of him: I was raped. He tells her what happened with Josh. For him, his personal hell has become entwined with what must have been Aiden’s own hell. But he says, he’s realized he wants to live.

There’s a good article on BBC about the writing of the two episodes of Aiden’s suicide.

Corrie Street 20 May 2018

Mother and Baby

eva looks at mother and baby photoGlossy 8×10 photos of mother and baby, what Eva believes will be her only reminder of that single day she was a mother. From now on, she says, she’s Auntie Eva to baby Susie.

She had to sneak around to get those pictures. A photographer came toyah-questions-eva-having-photosinto her room on the maternity ward. Did she want some photos of the baby? Yes, he said, camera phones had been very hard on his business. But some nice pics with a real camera? No no, Eva said, not necessary. But later, when Toyah wasn’t there, she asked him to take some pictures.

They are in her purse, not shared with Toyah. Back at the cottage, in eva-reassures-toyah-with-sad-hugWednesday’s episode, Toyah is ready to leave. Baby Susie is packed up in her carrier, baby bag is packed. Eva reaches for something and knocks her purse over. The photos spill out. Toyah picks them up. Sees what they are.

Baby Pics

baby-susieShe is upset. Does this mean that Eva wants to keep the baby? No, Eva says, she just wanted to have this little visible memory of what happened. It’s not like she’s can pretend that she didn’t give birth, after all, with or without photos. She’ll get rid of them, she tells Toyah.

But she doesn’t, of course. She looks at them and cries her heart out. Sometime, she’s going to have to come back to Weatherfield. She’ll eva-cries-over-photoshave to meet her ‘niece’ Susie. That’s the plan at least, the way it could work out best. But it’s all going to explode before then, I’ll bet. Mother and baby might be reunited. My guess, based on soap law.

Corrie Street 13 May 2018

Life Sucks

summer - rest of my life sucks“It’s not the hot chocolate. It’s just the rest of my life that sucks.” Summer expresses what recent events have shown her. Life sucks. I felt sorry for her but also relieved to hear her say it. I’ve wondered how she could so blithely accept all the changes in her life in just one year without batting an eye. Or that’s how it seemed.

Her real dad, Drew, died not that long ago. He knew he was dying but did nothing to arrange her future until the last minute. So he shona-asks-do-you-feel-let-downapproached his ex, Billy, and arranged for him and Todd to have custody of her. Billy hadn’t seen her since she was a baby, Todd had never seen her. Todd didn’t know about Drew, and vice versa. Granny, someone Summer did know, made all the trouble she possibly could about this arrangement. Her actions and attitudes effectively killed all affection Summer could have for her – the only familiar person left in her world. (See Nov. 5/17 Scene for a family overview)

But Summer accepted Billy and Todd as her new real dads, and all three loved each other. Then Todd disappeared, with little warning summer lost-my-homeand no explanation. Summer continued to love Billy as her dad. Next he gets hooked on heroin, and abandons her. She’s shuffled off to Eileen and Pat Phelan. She’s happy with them, her new stand-in parents. Then Pat is exposed as a murderer. And Eileen – well, Eileen can barely look after herself let alone a child. Especially a child for whom every adult she has trusted and relied on has disappeared.

Now Billy is back and clean, and Tracy throws him and Summer out of their apartment. Billy assures Summer he will look after her, everything will be fine, just you wait and see. Sure, Summer has every reason to believe that!

shona-says-billy-saved-meSo finally we see this eternally optimistic and trusting girl crack. Life sucks big time. Shona’s talk with her is good. She points out the good points of Billy using her own history with him as illustration. She shows Summer the shades of grey in Billy. Summer understands complexity.

Actress Matilda Freeman shows complexity too in her reactions to him. She gives a lovely nuanced portrayal over this week. Summer not-what-my-dad-wantedtries to believe in Billy and their future together, but the doubt shows in her eyes. She gives up trying and tells Billy that she will be out of there as soon as she legally can. That confrontation is done in a much more mature way than simply screaming ‘you’re not my real dad anyway’. It’s all the more shocking for that.

Another ‘buck up, it’ll get better’ talk from Shona, and Summer tries again with Billy. I’m liking this story – Summer – a lot right now. And I think Shona should adopt her. They’re a good match.

Corrie Street 6 May 2018

Relations

A lot of good stuff this week. Phelan, of course. And especially the reintroduction of Seb’s mother. David unravelling. But my favourite scene was Roy offering to diagram Connor kinship for Jenny. To jenny asks how are they relatedshow the relationship of those having relations, so to speak.

Monday, the nice dinner party at Michelle and Robert’s ended abruptly. Michelle saw Ali and Carla canoodling in the hallway. Her son and her best friend, sister-in-law and cousin. So she exploded at them. Everyone else scuttled off quickly.

roy says i can draw it out for youIn the safety of the Rovers, Jenny said “how are they related again?” Roy said the words so welcome to the ears of genealogy researchers. “I’ve got a paper and pencil, I can draw it out for you.” But Robert stopped him. “I don’t think it’s quite the time, Roy.” Oh Robert, of course it’s the time. Let’s see it so I don’t have to do it myself.

The family tree

robert says not quite the timeI was trying to remember how Carla and Ali are related when Jenny asked Roy the question. So, with Robert cutting him off, I got out my pencil and paper and drew the family tree.

Michelle’s dad Barry and Carla’s dad Johnny are first cousins, according to ITV. So here is the chart that Roy would have made, given half a chance.

connor family tree by d stewart - corrie relations(Whether you call Carla and Ali second cousins once removed or third cousins is discussed on the Coronation Street Blog. Look in the comments.)

In short, Carla is both cousin and aunt to Ali. She is his 2nd cousin once removed through Johnny, her bio-dad. Through her late husband Paul, Michelle’s brother, Carla is Ali’s aunt by marriage.

There’s an ick factor there, but they didn’t grow up knowing they were family. Ali is Michelle’s bio-kid but she didn’t raise him. Carla is jenny asks what was for dinnerthe child of a long-kept secret affair between her mother and Johnny. She grew up thinking of another man as her father. So maybe that’s the greatest ick factor – all these people carrying on with each other not knowing that they’re related. Having relations with my relations – could be a country and western song.

Corrie Street 29 Apr. 2018

Reading

Sitting in comfortable chairs, reading. A pleasant, relaxing break at the end of a busy day. That was the case for Carla and Roy, and me, on Tuesday. Busy day? More like busy week on the Street. So how nice to just chill for a bit.carla and roy reading

Such moments of downtime, of pure nothingness, have become rare enough on Coronation Street to be noteworthy. Maybe Carla and Roy are now among the very few people we see doing essentially nothing.

Well, not nothing. Carla was reading her trashy romance novel. Roy was learning about the process of turning pig iron into wrought iron and the effect of that development in the Industrial Revolution.

Carla was also thinking about the mess she’s getting herself into. Wanting to talk to Roy about it, but not wanting to tell him any carla-talks-about-her-book-and-lifedetails. She wanted him to reassure her. Just tell her she’s “doing the right thing”. So he did. He realized she did not want to discuss what it is she’s doing. She didn’t want to analyze it with him. She just wanted his support. He’s learned a lot from Carla, and from Hayley. He did as she asked, then went back to his book. Both were content.

The elements on Carla’s ongoing story with Ali were in that little roy-asks-what-she-is-talking-aboutscene. That is the situation she wanted reassurance on. What to do about her sleeping with her best friend’s son. She knows it’s best to end it. It’s not a situation that is going to end well. She knows that is what Roy would tell her, so she doesn’t tell him. She doesn’t need to. But she needs to feel his friendship and strength behind her.

carla-looks-at-roy-as-he-readsSo it wasn’t simply a scene – or a conversation – about nothing. It wasn’t played for laughs. It was just a nice breather, with things thought about, even discussed without words. But done in a quiet way in a quiet space. A small moment of peace before climbing back on the roller-coaster. For Carla and Roy, yes, but also for all of us getting tired on the ride along.

Below is a link to the book by Christian Wolmar that Roy was reading.  Unfortunately, Carla’s book – The Tempted House by Edwina Haverson – seems to not exist.

Corrie Street 22 Apr. 2018

David lectures Sarah

David-calls-sarah-a-sapDavid stopped me in my tracks Thursday. He lectures Sarah about Gary and about trusting people. About what people will do to you, given half a chance, about hurt and hurting.

Part way through, it became clear that he was not talking to Sarah and Gary, who was also there. He was talking to, and about, himself. Well, it was clear to everyone except Sarah and Gary.

sarah-asks-what-is-wrongAfter David left following this meltdown, they sat and ate their sandwiches. Trying to puzzle out ‘what was that all about’. If they put their brain cells together, they still wouldn’t have enough to spark a synapse!

David was talking about Josh, about believing someone is a friend. Then being drugged and raped in return for that trust. He has pushed Shona away because he feels he can’t tell her what happened. Also he fears passing on to Shona any infections that Josh may have passed on to him.

david-lashes-outHe is carrying around a huge load of guilt and anger. And to make it even worse, his household is full of people equally damaged by sex and love. His sister, with Gary’s two-timing resulting in a baby on the way. His niece, with Nathan’s grooming then the lap-dancing club. At least his mother and grandmother, for now, are free of emotional and sexual entanglements.

Later in the episode, David sees the next part of his nightmare coming true. He sees Josh all palsy-walsy with Chesney. Josh even david-puts-hands-over-faceinvites Chesney to his place. Then David sees Josh very close – too close – with Alya. He sees that Josh is inclusive in his targeting of victims, selecting only on the basis of vulnerability. That is putting even more stress on him, taking it outside himself and into his neighbourhood. And he hasn’t even yet seen Josh cozying up to Shona.

Teaching Stories

This overwrought man, family and street, isn’t by accident. The gary-tries-to-console-davidwriters have created it. All part of the education of the public. Of course, education and awareness is an important part of continuing stories. Sometimes deliberately, sometimes accidentally, soaps have always shown other ways of living and thinking to audiences.

david-pushes-gary-awayBut there are dangers in educational storylines, or ‘public service announcement’ stories as they’re sometimes called. They can be clunky if just dropped in to make the point. They can be heavy-handed, even preachy, if the emphasis is too much on the message and not the story. If there are too many, they become irksome.

Coronation Street for many years avoided teaching storylines unless david-says-stay-awaythey could embed them well in their characters. Now it seems the philosophy has changed. There have been a lot of issue-oriented stories of late, from Bethany’s sexual grooming to Robert’s testicular cancer. They have been done well. But there have been so many that I am wary when another one starts.

gary-and-sarah-confusedSo far David’s rape story has been done well. In no small part, that is due to the talent of Jack Shepherd. And Ryan Clayton, as Josh, is also brilliant. He’s just slimy enough.