Tag Archives: Tyrone Dobbs

Coronation Street Scene of the Week (July 3/11)

Family Trees

Two scenes this week – couldn’t choose between them.  Very different stories, but both about expanding the family tree.

We’ve got a new shoot on the Dobbs lineage, but daddy Tyrone doesn’t yet know that it was likely a graft.

Molly about to give birth, Kevin and Sally thereMolly hanging on, wanting Tyrone to be there before she went to the hospital and before she gave birth.  The people she most didn’t want there – Kevin and Sally – were.  Sally was trying to keep her from having the baby on the spot, in the living room.  Kevin was looking like he’d rather be anywhere than where he was.  Molly was throwing dagger looks at him and snarky comments.  Sally, for once, was just trying to help.

I was thinking who is this situation worse for – Molly or Sally?  In the moment, it’s gotta be Molly.  Having probably Kevin’s baby, while Kevin’s wife is acting as her midwife and Kevin himself is there in the room with you and her.

Jack and Connie with baby JackBut when the truth comes out, about Kevin and Molly’s affair, what is that going to be like for Sally?  Realizing she helped deliver her husband’s child.  I think that’s much worse, realizing you’ve been betrayed and that you, willingly and unwittingly, aided and comforted your betrayer.

And the coda to this scene, the lovely moment that brought tears to my eyes was Jack Duckworth holding the baby, and hearing that he’d be named Jack Dobbs.  The look on Jack’s face.  And that lucky baby:  he has the best granddad and dad in the world, even if both of them are social kin rather than biological.

Barlow Oak Tree

Peter Barlow meeting new family in RoversThe other scene involving lineage:  the ever-expanding branches of the Ken Barlow “oak tree” as Peter called his dad.  Seeing Ken’s son Lawrence and grandson James together with Ken was wonderful.  In the story it was great, but even greater knowing that both characters are played by Bill Roache’s real life sons.  That too made my eyes misty.  A show where an original character, first portrayed by a young man of 21 or something, now can show three generations with that actor’s own grown-up family.  I think that’s just fabulous for the Roache family and the Coronation Street family, both production and viewer.

Ken and father at table, 1st ep.In terms of the storyline, they’re also harking back to the origins of the Street – its characterizations and literary references.  We met Ken in conflict with his father over beliefs and values.  Their clash was over social class, and yes, Susan, mother of Lawrence was involved.  Fifty years later, Ken is trying to arbitrate between his son and grandson in their clash in values and ways of life.  Their clash is over sexual orientation.  The scene of them sitting Ken, son and grandson at tablearound Lawrence’s kitchen table arguing about change and social norms is a kind of upscale version of the “kitchen sink realism” of Britain in the 1950s and 1960s, a dramatic form and era that influenced Coronation Street.  And I could almost hear Neil Young’s anthem from the next era, “Old man, look at my life.  I’m a lot like you were.”

Coronation Street Scene of the Week (Feb. 13/11)

Car Crash

car's final flipTyrone’s car rolling over and over and over – wow!  Then, next episode, the firefighters cutting the car apart after the crash.

The car and the jaws of life were the stars of the week.

Car at rest, Molly insideHow fast was Tyrone driving on that narrow country road to have a car roll over that many times?  How, indeed, was more damage not done to Molly and the baby, seeing as how she had removed her seatbelt just prior to the crash?cutting frame of car away

I was angry at Tyrone for flying off at Kevin about not fixing the brakes. I was glad he got over it quickly and realized that, yes, he should have checked before driving off in a vehicle he knew had brake problems. car on narrow road, before the crashEarlier, as soon as I heard Ty say – oh the car’s outside, it must be done – I thought hold on a sec, it’s exactly where you left it, maybe you ought to check with Kev and see if he has in fact worked on it. Of all people, a mechanic ought to know better than to just drive off without checking that the work has been done.

Molly’s anger at Kevin when she finds out about the brakes – well, you can see that. She knows there is another story that Tyrone doesn’t know about.  You can see why she, and Auntie Pam, could think Kevin had done this deliberately.  But even she will have to realize that no, Tyrone didn’t check that the work had been done. And yes, Kevin had been calling and calling until she turned the phones off in exasperation.

Another horror

Eddie Windass shows it allAnd on Friday, another graphic image of horror.  Eddie Windass, in his bathrobe and underwear. Every time it comes back into my mind’s eye I have to go to the dailykitten.com to try to expunge it.

sleepy kitten with turtle toy

Coronation Street Scene of the Week (Nov. 14/10)


The 2nd anniversary of Vera’s death. Tyrone is sad. But that morning, he doesn’t know what’s about to hit him. All he knows is Molly is being very difficult to live with. At the Rovers, Jack gives him advice about how to handle women. Betty tells Jack that in her almost 90 years, she’d never heard “such a load of codswallop”.

Betty gives Jack a free pint and a kiss on the headThen, in a week of great scenes, comes the one. It’s a two-parter, maybe a minute. First part: Jack sits alone in a booth, finishing his pint. He’s pulled something out of a paper napkin and is holding it. Betty brings another pint over to him. “I didn’t order that,” he says. Betty puts it in front of him, kisses the top of his head and walks back to the bar.

Jack looks at Vera's wedding ringSecond part: Jack looks at the object in his hand. It’s Vera’s wedding ring. He looks down at it and up at the heavens. “My little swamp duck.” Oh my, I could hardly clip the scene from CBC’s online episode for tears blurring my eyes. Whatever will we do when Jack and Betty leave the street? It doesn’t bear thinking about.

Then, at the end of the episode, Molly begins the “we have to talk” speech with Tyrone. It continued Tuesday. She was leaving him, didn’t love him anymore etc. etc. Why, how can you, etc. etc., poor Tyrone asked. Lines from several hurtin’ songs were used by both of them. “You’re better off without me” and “any girl would be lucky to have you” came from Molly.

Molly telling Tyrone she is leaving himIt was like watching a train wreck. Well, more like being in the train wreck if you’ve ever had a serious relationship end, whether you were the ‘dumpee’ or ‘dumper’. Even though I’ve known what Molly’s been doing the past few months, it still blindsided me. Poor, poor Tyrone.

Next scene, Tyrone twigged in about as long as it takes in these situations: “Who is it?” “There must be someone else.” He’s absolutely right in guessing this, even just from his vantage point as a participant rather than anTyrone in tears, can't believe it observer as we are. There’s always someone else. Speaking from a long history as both dumper and dumpee, there’s always a third person somewhere in the mix. Of course, the dumper always says there’s no one else, “it’s just me”. And, technically, right now Molly is not lying about this. She and Kevin have ended it so, in this tiny frame of time, she is leaving Tyrone because it’s just about her.

Of course, as it always does (and must for soaps to continue with storylines), it will all come out. And if the breakup of Molly and Tyrone was bad, I think the breakup of Kevin and Tyrone will be much, much worse.

Daran Little writing

Both Monday and Tuesday were Daran Little episodes! So happy. I didn’t know there were any more to come of the group of episodes he’d penned after a brief return last year.

Jack telling Tyrone "Vera didn't us to be me and Vera"The loveliest touch of historical analysis he gave us was Tyrone and Molly discussing their relationship in terms of Jack and Vera’s. Like all of us, Tyrone had hoped that he and Molly would be the next Jack and Vera. Horrors, Molly said, that’s exactly what I don’t want to be! Tyrone sees happily married for over fifty years; Molly sees decades of constant rowing and Jack skulking off to get away from her. Both views are correct.

But Molly is using revisionist history to justify what she’s doing, and she must know it. She got to know Jack and Vera well enough to see behind the surface complaining and skulking. She saw Jack when Vera died. So she knows better. But to give her the benefit of the doubt, she’s young and probably still believes in the fairy tales where the thrill of romance remains young and alive forever just as you do yourself. Where settling into a routine of going about your business seems a fate worse than death. On the other hand, she knows better. Disparaging the 50 years of Jack and Vera is a way to justify, to herself at least, what she is doing.

The train wreck spreads the rest of the week. Kev is cast in the role of comforter to Tyrone. And in another beautifully wrought scene, Jack gives his take on the “being Jack and Vera” issue. He says to Tyrone, “Vera didn’t want us to be like me and Vera.” Molly says to Dev, “don’t say anything nice to me”. I say to the screen, “no danger of that, dearie!” Auntie Pam is the only one who seems to share my feelings. In a plea for sympathy, Molly whines, “ Everyone’s already looking at me like I’ve just stamped on a kitten.” Pam’s response?  “Oh, happens you just have.” Thank you, Auntie Pam.